{"id":10006,"date":"2020-11-19T15:59:34","date_gmt":"2020-11-19T15:59:34","guid":{"rendered":"http:\/\/thescripturecache.com\/?p=10006"},"modified":"2022-01-12T15:33:57","modified_gmt":"2022-01-12T15:33:57","slug":"re-examining-a-song","status":"publish","type":"post","link":"https:\/\/thescripturecache.com\/?p=10006","title":{"rendered":"Re-Examining A Song"},"content":{"rendered":"<p>Views: 1<\/p><p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 14pt;\">[<strong>Note:\u00a0 <\/strong>This MS is available in larger font on our <strong>Brief Articles 2<\/strong>\u00a0 page.]<\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In 2007 I wrote a manuscript for the Bellview Lectures, Pensacola, Florida, titled, \u201cBuilding up the Church Through Singing.\u201d In it I briefly mentioned that some of the songs in the books we commonly use emphasize patriotism far more than praise to God and His Son. I cited the example of \u201cAmerica the Beautiful.\u201d This song references God several times, but it praises our nation more than Him (if it does the latter at all).<\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sung perhaps even more frequently in our assemblies is the song, \u201cGlory! Glory! Hallelujah!\u201d (originally titled, \u201cBattle Hymn of the Republic\u201d). On the surface, it appears to be a song of praise to God and His Truth, concealing a dark history. Its obvious military motif (\u201csword,\u201d \u201ctrumpet,\u201d \u201cmarching\u201d) is employed by the New Testament at times regarding the Lord\u2019s Cause (e.g. Eph. 6:10\u201317; 2 Tim. 2:3\u20134).<\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I\u2019m confident I am among many who have sung this song, unaware (as was I until recently) of its original intent and use or of its author. I learned this information in a book by our brother in Christ, Jerry Brewer, titled <em>Dismantling the Republic<\/em> (which I recently read and highly recommend). He quotes at some length from a 2009 article by R. Michael Givens, in which Givens not only provides background on Julia Ward Howe, the song\u2019s lyricist, but on her purpose in writing the lyrics. Givens states the following:<\/span><\/p>\n<ul>\n<li><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">Howe was a Unitarian and political radical who believed in neither the Bible nor the Christ.<\/span><\/li>\n<li><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">She therefore lifted terminology for her song from the very book she rejected\u2014a gross hypocrisy.<\/span><\/li>\n<li><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">She wrote her song seven months after the War between the states began to serve as a rallying cry for the Union (both civilian and military) during that awful conflict (the Northern states were the \u201crepublic\u201d referred to in the original title).<\/span><\/li>\n<li><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">Her song depicted the Southern states as despicable enemies who deserved to be trampled and put to the sword; the Union forces were the instruments of God\u2019s wrath and judgment.<\/span><\/li>\n<li><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">Simply put, her song was an unmitigated Union propaganda piece and marching song that served to excuse and justify whatever its armies decided to inflict on the Southern states, whether soldier or civilian\u2014including Sherman\u2019s incomparable 60-mile-wide carnage from Atlanta to the Atlantic in 1864 (according to Sherman\u2019s memoirs, describing the beginning of this march: \u201cNever before or since have I heard the chorus of \u2018Glory, glory, hallelujah!\u2019 done with more spirit, or in better harmony of time and place\u201d).<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I realize fully that most of the \u201cpsalms, hymns, and spiritual songs\u201d in our songbooks are written by men and women who were not Christians in any sense of the New Testament definition. However, with few exceptions, these songs express spiritual concepts and truths that are in harmony with the Holy Word and were-re written for the purpose of exalting the Divine Author and His Revelation.<\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 12pt;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It seems a fair to question, however, whether or not it is appropriate to employ a song in worship that was written for and served as a political propaganda piece and was written by an infidel, no less. To sing this song in a worship assembly seems little different from singing \u201cDixie\u201d therein. I see no seemliness for either of them in the worship of our God.<\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 10pt;\">[<strong>Note:<\/strong> I wrote this article for and it was published in <em>The Lighthouse, <\/em>weekly bulletin of Northpoint Church of Christ, Denton, TX, July 29, 2012, of which I was editor.]<\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino, serif; font-size: 10pt;\"><strong>Attribution:<\/strong> From <em>thescripturecache.com<\/em>; Dub McClish, owner and administrator.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Views: 1[Note:\u00a0 This MS is available in larger font on our Brief Articles 2\u00a0 page.] \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In 2007 I wrote a manuscript for the Bellview Lectures, Pensacola, Florida, titled, \u201cBuilding up the Church Through Singing.\u201d In it I briefly mentioned that some of the&#8230;<\/p>\n<div class=\"easywp-readmore\"><a class=\"read-more-link\" href=\"https:\/\/thescripturecache.com\/?p=10006\">Continue Reading&#8230;<span class=\"easywp-sr-only\">  Re-Examining A Song<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[128,334],"tags":[],"class_list":["post-10006","post","type-post","status-publish","format-standard","hentry","category-singing","category-worship-2","wpcat-128-id","wpcat-334-id"],"_links":{"self":[{"href":"https:\/\/thescripturecache.com\/index.php?rest_route=\/wp\/v2\/posts\/10006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thescripturecache.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thescripturecache.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thescripturecache.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thescripturecache.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10006"}],"version-history":[{"count":2,"href":"https:\/\/thescripturecache.com\/index.php?rest_route=\/wp\/v2\/posts\/10006\/revisions"}],"predecessor-version":[{"id":17390,"href":"https:\/\/thescripturecache.com\/index.php?rest_route=\/wp\/v2\/posts\/10006\/revisions\/17390"}],"wp:attachment":[{"href":"https:\/\/thescripturecache.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thescripturecache.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thescripturecache.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}